The full video of my May 20, 2010 appearance on The Late Show with David Letterman.

For over one hundred twenty years, Carnegie Hall has been a world-famous venue for music, but not magic. It was an honor, then — a once-in-a-lifetime achievement — to be able to perform my full evening magic show there on January 12, 2012. The show ran two hours, and received a standing ovation from the sold-out auditorium.

I’d like to thank all of you who came to the show. I’ll always remember the electric anticipation you projected as I walked on-stage. Looking out at you, I felt anticipation too — like we were creating a historic moment together.

Throughout my career I’ve always believed that magic has the potential to stand shoulder-to-shoulder with other performing arts, such as ballet, opera and orchestral music. Magic can be more, much more, than a simple diversion. The artistry required to construct and stage a theatrical magic show is on par with the training, thought and creativity required to present other traditional art forms.

My personal goal in staging a magic show at Carnegie Hall was to prove that the art of magic is capable of accepting its due respect, if only we give it the chance. It was immensely satisfying to see that the public supported this belief; the entire theater was sold-out months in advance.

Because I am used to performing for small audiences of 50 people at the Waldorf-Astoria, the nearly 300-seat Weill Recital Hall presented some challenges. I did my best to cross the footlights and reach out to the entire audience, even up to the balcony.

In this blog, I’ve composed a full report of the evening, from my perspective as performer and producer [...]

Steve Cohen is the first magician in 38 years to perform at the venerable venue.
By Miriam Kreinin Souccar

For 11 years, magician Steve Cohen has been entertaining VIPs such as Warren Buffett, Renée Zellweger and the crown prince of Saudi Arabia at private parties and exclusive shows at the Waldorf Astoria.

Now, the self-titled “Millionaires’ Magician” is taking his tricks to a bigger stage. On Jan. 12, Mr. Cohen will debut Theater of Wonder at Carnegie Hall’s 270-seat Weill Recital Hall. It is one of the few times that a magician has appeared on any of the venerable venue’s stages.

The show will include Mr. Cohen’s longtime crowd-pleasers, like the one where he pours audience members’ favorite beverages—from hot chocolate to frozen margaritas—out of a single teapot. Mr. Cohen will try some new feats, too, like cutting up a spectator’s necktie and then restoring it.

Mr. Cohen developed the new show because of requests from his fans. “After they see my show at the Waldorf, they say, ‘What else have you got?’ ” Mr. Cohen said. “There’s a following of people who want more.”

The one-night performance sold out within three days with no advertising. [...]

It took about a split-second after meeting Michael Uslan to know that I’d encountered one of the coolest people on the planet. We met at the Buzz Aldrin event I wrote about recently, and he overwhelmed me with his effervescent enthusiasm toward one of my secret loves: Batman.

Uslan is the creator and executive producer of the Batman movies (all of them since 1989′s Batman with Jack Nicholson, up to and including the most recent Batman Begins and The Dark Knight). He also has a compelling new book out, titled The Boy Who Loved Batman.

Ever since 1975, I’ve been a serious Batman fan. I collected many comics through high school and college (“Mom, did you throw them away? They’re worth a bundle now!”) but the only titles I purchased consistently were Batman and Detective Comics.

Throughout elementary school I dressed up like Batman and walked through town. In costume!! I built my own utility belt out of oaktag and paper fasteners, and thought that every umbrella in our house might be one of the Penguin’s trick umbrellas.

On my 6th birthday my father said, “It’s time for your birthday party, Steven.” Wearing cape and cowl, I replied, “I’m not Steven, I’m Batman.”

Dad threatened, “Well if Steven is not here, then there won’t be any birthday party.” I swiftly ducked into my room, took off my costume, and transformed into my alter-ego, little Steve Cohen.

Last night, I enjoyed a presentation about Batman, given by Michael Uslan at the Museum of Comic and Cartoon Art in Soho. [...]

How Steve Cohen Got To Carnegie Hall
by Antonio M. Cabral
M-U-M magazine, November 2011

Magicians and secrets have a funny relationship. The normal people who comprise our audiences watch us perform miracles and cannot begin to imagine how a person might learn the requisite techniques and other arcane knowledge to accomplish the impossible. Magicians on the other hand know all about the vast oceans of literature (in print and on film) obsessively detailing and documenting the history and lineage of all these bizarre, clever and wonderful ideas. They know you can walk into a magic shop and buy whatever you like without having to fight a dragon or some other kind of mystic wizard’s trial. They worry that their audiences will run home after watching a performance and look for the explanations on YouTube. The “secrets” are out there, if you care enough and know where to look. And yet, magicians and laymen can look at the same “miracle” and both be mystified—if for different reasons.

For example, many close-up magicians know the story of Max Malini’s famous production of a brick or a block of ice from under a hat as recounted by Dai Vernon in Stars of Magic. Vernon was tasked with watching Malini over the course of an evening’s dinner performance to try to pin down the little man’s sleight-of-hand secrets—in particular the the block-of-ice-under-the-hat trick. Throughout the full evening’s meal, Malini never left the table. Malini then proceeded to perform the trick and “…when Malini lifted the hat, a block of ice the size of four fists lay in the center of the table […] Vernon swears to this day that ‘The little bugger had no time to load up.’” While the regular audience members wondered how the ice got under the hat, Vernon was dumbfounded as to how the ice got to the table at all. A bribe to the waiter proved unsuccessful, and they never found out from where Malini had procured the ice.

On the other hand, whenever Steve Cohen performs the trick as the opener of his exclusive Miracles At Midnight show, the source of the block of ice is somewhat less of a mystery. The show is his second as part of his residence at the über-opulent Waldorf-Astoria in Manhattan. The kitchen at the Waldorf-Astoria is located on the second floor and takes up the area of a full city block. “They have a huge walk-in freezer, and they’ve let me have a whole shelf in there just for blocks of ice for this trick. I used to go down myself to fetch the ice, but it gets so cold in that freezer that our arrangement now is that I simply ring down to the kitchen and they run one upstairs for me at the beginning of each show.” Of course. Everything’s easy once you know the secret.

But while Steve’s audiences—like Malini’s—are astounded at the appearance of the ice under the hat, magicians marvel at something else. They don’t marvel at how the ice appeared under the hat or how the ice got to the table, but at how Steve Cohen himself has managed to “magically appear” in residence at the Waldorf-Astoria with not one, but two elegant, high-end magic shows—one of which costs $250 per person. For close-up magic! And coming this January, Steve will be premiering a stage show at a local Manhattan venue named Carnegie Hall. Compared to those “miracles”, blocks of ice and bricks under hats might as well be the old stretching thumb trick your uncle does [...]